Hopefully  you are not  reading this blog on your mobile while stuck in another Vancouver traffic jam. [ There is a  big fine for that now you know...]   Doesn't  living in our urban jungle of construction , closed roads, jaywalkers , bikers  and paving crews make you   yearn for some  personal space?  for  some quiet contemplation of life ? an escape to the Canadian  wilderness?   [ or perhaps  you are just wishing for  a little more open road  to move your life  along?]  

I expected to find  a little of that  much needed  serenity  at the newly opened Vancouver Art Gallery  [ VAG] exhibition entitled  " Jock Macdonald; Evolving Form".     Up until viewing this show   I  always included him  as a contemporary with  the Group of Seven  landscape artists  of his  day although he is  often linked to  belonging to the "Painter's eleven".         [Google this group and all will be revealed"]    Until this exhibition, I had seen very little of his actual work  up close and personal  but thought I knew what to expect.   I was looking for that Canadian  breath of    tranquility and serenity  that shows up in our well known   paintings of mountains and lakes and trees  of his generation.  [You get the picture] .    I did get my meditative boost of  serenity that goes with viewing great art , but not in the way I expected. 

   The VAG  literature  for the exhibit describes  Jock   as " a pioneer of postwar abstraction in Canada" and   one of  " the greatest teachers of the century".  That's quite a compliment!   This is a  major retrospective of his work and the VAG notes that it includes many     "previously unknown" works for the first time.  

There are a few of his early works and yes, they include mountains .  I can't honestly get excited about these pieces.  They are neither breathtaking nor contemplative and I just felt they didn't measure up to  the vibrancy and emotional impact of  others of his day.  [ These paintings were early days for Jock in British Columbia .  His emotional attachment to his new home perhaps wasn't fully realized at the time of these paintings?]

But then  we move on to the  " automatics" in watercolours and inks on paper.  These are worth a whole blog on their own,  and  I will need to go back  and spend  a full visit  just   absorbing their inescapable captivation and colour.  I quote from the artist -

" These semi-abstracts I call " Modalities" - this new word I dug up from the dictionary and so far as I can think it is the only classification which interprets the expression of this work.  It means "expression of thought in relation to nature" and was considered by Kant to relate to creative expressions which did not relate to nature ( objectively), nor relate to abstract thoughts ( subjectively) about nature, but rather included both expressions"[ excerpt form Joyce Zeman's book entitled "Jock Macdonald"] .  [ See one example of this work below].   
[ I also note that Macdonald was passionate about Kandinsky's work and I do feel that  these reverberate with Kandinsky for me] .

Now, let's move on to his large abstract works on display.  All I can say is that they drove me to a kind of magnificent distraction , a kind of spiritual meditation , an embodiment of all that is in the Canadian landscape and our connection to it . [  I know I write about this theme all the time  but it so works in this case]....  Here are words quoted from Macdonald himself - 

" Art now reaches the place where it becomes the expression of ideals and spiritual aspirations.  The artist no longer strives to imitate the exact appearance of nature but rather, to express the spirit therein" JM 1940 .
 
 Macdonald truly succeeded  in giving me something both ephemeral and earthly ;  an energy of the earth and beyond.  Did his spirit know something that he did not ?  Many of the works on display  were completed in mid to late 1960. It is said he was at the height of his painting  success.  After finishing classes for the Christmas break in December , he left the classroom and died unexpectedly the very next day.